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Articles and Reviews: FILM
Eraser
Directed by Russell
It started with Goldeneye and Hackers,
continued through Copycat and Mission
Impossible, and Eraser is now the latest
instalment in an increasingly obvious trend: any blockbuster
worth its production budget, especially where the
target audience is ‘young people’, is
going to have to glamorise information technology.
In other words, it is de rigueur to have lots of scenes
with people fooling around at personal computer terminals.
I have no animus against this phenomenon, being a
fully paid up surfer myself. The problem with Eraser
is that there is still too much broth and not enough
brain (well, artificial intelligence), too much man
and not enough machine. Still, if you manage to get
Arnie to play your action hero, you’re not going
to let those rippling muscles go to waste, now are
you?
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Schwarzenegger stars as the best of
the elite federal marshals working for the Federal Witness
Protection Program, one of the government’s most
clandestine agencies. When all hope is gone, he moves
in and saves the lives of those at risk by eliminating
all evidence of their existence. Operating in secrecy,
he is John Kruger, otherwise known as ‘Eraser’.
While working at one of the nation’s leading defence
contractors, Lee Cullen (Vanessa Williams) inadvertently
uncovers a scheme to deliver one of the most advanced
super-weapons ever developed, the rail gun, into the
hands of the Russian Mafia, thus shifting the balance
of world power. What she doesn’t know is that
the conspiracy reaches the highest levels of government,
and they will stop at nothing to keep her from spilling
the beans. She needs a protector. Enter Arnie.
While I like a Total Recall or a Terminator
2 as much as the next man, Eraser is Schwarzenegger
freewheeling in mid-gear. James Caan is good as the
villain of the piece, but director Charles Russell hardly
comes recommended after hokum like The Mask and
The Blob.
As if you need to be told: the good end happily, and
the bad unhappily. That is what Fiction means.
First published in 46A
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